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Ways of Listening: A Global Creative Project with Cities and Memory

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A decorative header image featuring a purple bookeh background, and the Evelyn Glennie Foundation Logo on one side and the Cities and Memory logo on the other

Listening as a radical act: A workshop with Sheffield Methodist District

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Dame Evelyn Glennie, a woman with long white hair stands at the front of a church, demonstrating a percussion instrument to a seated audience, who are listening intently. The setting includes rows of chairs, a wooden floor, and a brick wall with a large illuminated cross. Various percussion instruments are placed on the floor near the presenter, and a banner with text hangs on the wall.

Enriched listening at Askham Grange, a prison for women in North Yorkshire

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Evelyn playing a Marimba during a 'Who's Listening' workshop.

“Who’s Listening” – Interactive Workshop for the team at Granite 5

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Enthusiastic participants play Djembes as part of a 'Who's Listening' workshop.

What’s it like to volunteer on The Evelyn Glennie Collection?

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Evelyn's hand turning a couple of pages from a music score, which in this case is Sunrise.

A listening case study in dementia

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Dame Evelyn and Babs, an elderly white woman with short grey hair, wearing a purple sweater. They are seated facing each other in room at the care home. Between them sits a large frame drum. Just behind are family photographs. Evelyn is encouraging Babs to interact with the Drum and listening to her thoughts. Babs is smiling and pointing at the drum as she speaks.

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